
Nato/a 24 giu 1944 · Rudolstadt, Germany
No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor. Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country. Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians. Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.

Carl Andersens Underground der Liebe
2015

Verdammt in alle Eitelkeit
2000

Blond bis aufs Blut
1997

In Haßliebe Lola
1996

Eine Tunte zum Dessert
1992

Du Elvis, Ich Monroe
1990

Kısmet Kısmet
1987

Utopia
1983

Fucking City
1982

Dirty Daughters oder Die Hure und der Hurensohn
1982

Die Alptraumfrau
1981

Now or Never
1979

Nachtvorstellungen
1977

1 Berlin-Harlem
1974

Ein Schuß Sehnsucht - Sein Kampf
1973

Polizeiruf 110
1971