Narozen 16. 11. 1891 · Cairo, Egypt
Stéphane de Rosti was born in Alexandria. His father, Stéphane Rosti senior, an Austrian Baron, who married an Italian, bought her palace in Shoubra and decided to live there. As the mother was about to give birth to her child, the father returned to Vienna in obedience to his Aristocratic family. When Stéphane Rosti was born, she gave him his father’s name. He lived with his mother in Shoubra, and went to al-Khedeweyya school. When he got his school certificate, he decided to try to meet his father. At the same time, he got in touch with an Austrian ballet dancer in “Teatro Abbas” with whom he travelled to Vienna. He managed to meet his father there but eventually fell from favor because of his relation with the dancer, in addition to his Artistic tendencies. It was in Europe that Stéphane met the director Muhammad Kareem, was studying cinema in Germany at the time, who helped him to return to Egypt. In 1917, Rosti met Aziz Eid who was about to form his own theatrical troupe. Later, Rosti together with Nagueeb al-Rehaany presented the operetta “Al-‘ashara al-tayyeba i.e. Ten of hearts (1920)”. It was his activity in Ramsis troupe that made his colleague ‘Azeeza Ameer decide to let him complete what was considered the first Egyptian feature film “Nedaa Allaah i.e. The call of God (1927)”, eventually changed to “Laila” in 1927. The Turkish director Wedaad ‘Orfy was supposed to direct the film but he clashed with Azeeza Ameer. In addition to “Laila”, Rosti directed five films and was co-writer of six others. However, his reputation rests heavily on his acting career. Even though he was famous for playing the villain, he used to interpret such roles with a unique sense of humor that made the audience sometimes actually like and sympathize with his character. He succeeded in combining the villain and comedian, to become a comic villain. He used to take part in the writing of his character and add some words that usually became a feature of his character. It is a measure of his success that some of his lines are still remembered until this very day. Would always be remembered also for his unique accent and tone of voice especially when playing a foreigner. In 1936, Stéphane Rosti married an Italian lady called Marina, they stayed together until he died on 12 May 1964, while shooting the last scenes of “Hekaayaat noss al-leil i.e. Midnight tales”.

حكاية نص الليل
1964

آخر شقاوة
1964

المجانين في نعيم
1963

الجريمة الضاحكة
1963

النشال
1963

صراع الجبابرة
1962

ملك البترول
1962

بلا عودة
1961

النصاب
1961

الترجمان
1961

حلاق السيدات
1960

إسماعيل يس في السجن
1960

قاطع طريق
1959

المليونير الفقير
1959

حسن وماريكا
1959

أحبك يا حسن
1958

سيدة القصر
1958

أبو عيون جريئة
1958

حب من نار
1958

سجين أبو زعبل
1957

تمر حنة
1957

زنوبة
1956

كفاية يا عين
1956

الله معنا
1955

عاشق الروح
1955

حب ودموع
1955

عرايس فى المزاد
1955

الستات ما يعرفوش يكدبوا
1954

بنت البلد
1954

رقصة الوداع
1954

الدنيا لما تضحك
1953

حكم قراقوش
1953

حرام عليك
1953

قطار الليل
1953

بشرة خير
1952

ماتقولش لحد
1952

حلال عليك
1952

آمنت بالله
1952

ليلة الحنة
1951

شاطئ الغرام
1950

بلدي وخفة
1950

آخر كدبة
1950

معركة الحياة
1950

المليونير
1950

طريق الشوك
1950

معلهش يا زهر
1950

غزل البنات
1949

عفريتة هانم
1949

ليلة العيد
1949

عنبر
1948

الهوى والشباب
1948

مغامرات عنتر وعبلة
1948

أبو حلموس
1947

قلبي دليلي
1947

أصحاب السعادة
1946

سلامة
1945

المظاهر
1945

شهداء الغرام
1944

الطريق المستقيم
1943

سي عمر
1941

انتصار الشباب
1941

الورشة
1940

في ليلة ممطرة
1939

زليخا تحب عاشور
1939

أنا طبعي كده
1938

سلامة في خير
1937

منيت شبابي
1937

عنتر أفندي
1935

صاحب السعادة كشكش بيه
1931

ليلى
1927